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About

Erica Bisesi was born in Gorizia (Italy). She completed a PhD in Mathematics and Physics at Udine University in 2007, a MSc in Astroparticle Physics at Trieste University in 2002, a MA Degree in Piano Performance at Trieste Conservatory in 1996, and is completing a MMus in Music Theory and Analysis at the University of Calabria. She had contributed to several large-scale research projects (systematic musicology, music interpretation and analysis, biological foundations of music, astrobiology, theoretical astrophysics, experimental elementary particle physics, history of physics, physics and music education). She also taught acoustics and psychoacoustics at the Udine Conservatory from 2004 to 2006, psychoacoustics and music cognition at the University of Graz from 2014 to 2015 and psychoacoustics, music cognition, music expression and emotion at the Comenius University in Bratislava in 2017.

Her career as a systematic musicologist began in 2007, first at the Department of Speech, Music and Hearing at KTH, Stockholm, and then in several projects on the psychology of music, psychoacoustics, expressive music performance, music theory and analysis, and music information retrieval, collaborating with the Universities of Graz (KFU, KUG), Bratislava, Jyväskylä, Stockholm (KTH), Montreal, Paris (Pasteur Institute and EHESS), Lugano (CSI), Bologna, Padua, Udine, and the Conservatories of Como and Novara.

In October 2009, Erica was awarded a Lise Meitner postdoctoral fellowship for a two-year project entitled “Measuring and Modeling Expression in Piano Performance” by FWF Austria. In December 2011, FWF funded her five-year Stand-Alone project “Expression, Emotion and Imagery in Music Performance”. She presented the results of her research in conferences, lectures and lecture-recitals at leading institutes in Austria, Belgium, Canada, Croatia, Cyprus, Finland, France, Germany, Greece, Hungary, Iceland, India, Israel, Italy, Portugal, Serbia, Slovakia, Slovenia, South Korea, Spain, Sweden, Switzerland, UK, and the United States.

Her career as a pianist began at the age of five. She began studying Piano Performance with Maura Soro in Gorizia (Lower Degree, 1986), and then continued with Roberto Repini in Trieste (MA Degree, 1996). Over the following ten years, she studied with the conductor Francesco Mander, the pianists Bruno Canino in Milan, Aquiles Delle Vigne in Salzburg, Florence and Rome, Vladimir Krpan in Zagreb, Anna Kravtchenko in Rovereto, and Andreas Woyke in Graz. She is now active as a soloist and in chamber music ensembles.

Erica Bisesi has been working as senior postdoctoral researcher at the Centre for Systematic Musicology at the University of Graz from 2009 to 2016, then as researcher in computational musicology and music technology at the KTH in Stockholm from 2016 to 2017, and is currently researcher at the Institut Pasteur in Paris, where she works in an interdisciplinary project on the biology and anthropology of music cognition. At the same time, she is active as lecturer in music analysis at the University of Montreal.

During the last year, she participated as a concert pianist in a GATM (Gruppo Italiano di Analisi e Teoria Musicale) project combining music performance / interpretation and music analysis (Conservatory of Novara, 2016-2017; International Conferences on Music Theory and Analysis in Strasbourg and Rimini, 2017). Her current research lies mainly in the area of computational musicology, biological foundations of music, music performance, expression and emotion, and music theory and analysis. In her research, she usually investigates the structure, historiography, perception and performance of her concert repertoire.

Erica speaks fluently six languages. Fortunately for her life and her work, she loves to move.

 

PUBLICATION LIST

Open access to publications (when available) at:

https://online.uni-graz.at/kfu_online/wbforschungsportal.cbshowportal?pPersonNr=73751

http://www.ericabisesi.com/english/science/publications.htm

* Peer-reviewed journal articles and book chapters are marked with a single asterisk.

** Proceedings contributions based on peer-reviewed abstracts are marked with a double asterisk.

PEER REVIEW ARTICLES 

Music Psychology

Psychology of Expressive Performance

1. Bisesi, E., Friberg, A., & Parncutt, R. (2019). A computational model of immanent accent salience in tonal music. Frontiers in Psychology – Section Performance Science, 10 (317). *

2. Bisesi, E. & Parncutt, R. (2011). An accent-based approach to automatic rendering of piano performance: Preliminary auditory evaluation. Archives of Acoustics, 36 (2), 283-296. DOI: 10.2478/v10168-011-0022-z (cited by 4) *

Psychology of Musical Tempo

3. Bisesi, E. & Vicario, G.B. (2009). Factors affecting the choice of performed tempo, British Postgraduate Musicology, 10. *

Fundamental Physics

4. Bisesi, E. (2007). The impact of subhalos on the signals from dark matter annihilations. Astrophysics and Space Science, 309 (1-4), 517-522. DOI: 10.1007/s10509-007-9405-z *

Experimental Physics

5. M. Brigida et al. (27 authors including E. Bisesi) (2006). Particle identification with the Silicon Transition Radiation Detector (SiTRD): State of art and future perspectives. Nuclear Instruments and Methods in Physics Research Section A, 563 (2), 388-391. DOI: 10.1016/j.nima.2006.02.155 * (cited by 1)

6. D. Bastieri et al. (16 authors including E. Bisesi) (2005). Using the photons from the Crab nebula seen by GLAST to calibrate MAGIC and the imaging air Cerenkov telescopes. Astroparticle Physics, 23 (6), 572-576. DOI: 10.1016/j.astropartphys.2005.05.002 (cited by 10) *

7. A. Albano et al. (40 authors including E. Bisesi) (2004). Scientific motivations and technical proposal for a stereoscopic MAGIC telescope (MAGIC II) in La Palma. MAGIC Internal document.

MAGIC collaboration publications

8. J. Albert et al. (158 authors including E. Bisesi) (2006). Variable very high energy gamma-ray emission from the Microquasar LS I+61 303. Science, 312 (5781), 1771-1773. DOI: 10.1126/science.1128177 (cited by 319) *

9. J. Albert et al. (142 authors including E. Bisesi) (2006). Discovery of very high energy gamma-rays from Markarian 180 triggered by an optical outburst. The Astrophysical Journal Letters, 648 (2), L105-L108. DOI: 10.1086/508020 (cited by 78) *

10. J. Albert et al. (147 authors including E. Bisesi) (2006). Observation of VHE Gamma Radiation from HESS J1834-087/W41 with the MAGIC Telescope. The Astrophysical Journal, 643 (1), L53-L56. DOI: 10.1086/504917 (cited by 46) *

11. J. Albert et al. (132 authors including E. Bisesi) (2006). Discovery of very high energy gamma rays from 1ES 1218+30.4. The Astrophysical Journal, 642 (2), L119-L122. DOI: 10.1086/504845 (cited by 88) *

12. J. Albert et al. (130 authors including E. Bisesi) (2006). Flux upper limit of gamma-ray emission by grb050713a from magic telescope observations. The Astrophysical Journal, 641 (1), L9-L12. DOI: 10.1086/503767 (cited by 45) *

13. J. Albert et al. (131 authors including E. Bisesi) (2006). Observation of gamma-rays from the Galactic Center with the Magic Telescope. The Astrophysical Journal, 638 (2), L101-L104. DOI: 10.1086/501164 (cited by 142) *

14. J. Albert et al. (134 authors including E. Bisesi) (2006). Magic observations of very high energy gamma-rays from HESS J1813-178. The Astrophysical Journal, 637 (1), L41-L44. DOI: 10.1086/500364 (cited by 37) *

15. J. Albert et al. (129 authors including E. Bisesi) (2006). Observation of VHE gamma-ray emission from the active galactic nucleus 1ES-1959+650 using the Magic Telescope. The Astrophysical Journal, 639 (2), 761-765. DOI: 10.1086/499421 (cited by 54) *

16. J. Albert i Fort et al. (103 authors including E. Bisesi) (2006). Physics and astrophysics with a ground-based gamma-ray telescope of low energy threshold. Astroparticle Physics, 23 (5), 493-509. DOI: 10.1016/j.astropartphys.2005.03.005 (cited by 5) *

BOOK CONTRIBUTIONS

Music Performance

17. Bisesi, E. & Windsor, W. L. (2016). Expression and communication of structure in music performance: Measurements and models. In S. Hallam, I. Cross and M. Thaut (Eds.), Oxford Handbook of Music Psychology, 2nd Edition (pp. 615-631). Oxford: Oxford University Press. DOI: 10.1093/oxfordhb/9780198722946.013.37 *

18. Friberg, A. & Bisesi, E. (2014). Using computational models of music performance to model stylistic variations. In D. Fabian, E. Schubert and R. Timmers (Eds.), Expressiveness in music performance: Empirical approaches across styles and cultures (pp. 240-259). Oxford: Oxford University Press. DOI: http://dx.doi.org/10.1093/acprof:oso/9780199659647.003.0014 *

Music Psychology

Psychology of Musical Tempo 

19. Bisesi, E. & Vicario, G. B. (2015). The perception of an optimal tempo. The role of melodic event density. In A. Galmonte and R. Actis-Grosso (Eds.), Different psychological perspectives on cognitive processes: Current research trends in Alps-Adria region (pp. 25-43). Cambridge: Cambridge Scholars Publishing. ISBN: 978-1-4438-5628-7 *

Ethnomusicology

20. Shakhkulyan, T., Bisesi, E. & Parncutt, R. (2017). David of Sassoun: The tonal structure of Armenian epic songs. In T. Shakhkulyan (Ed.), Komitas and traditional music culture – Yearbook of Komitas Museum-Institute, Vol. 2. (pp. 182-196). Yerevan: Publications of Komitas Museum-Institute.

21. Bisesi, E. & Brabec de Mori, B. (2010). The representation of time among different cultures and musical systems. In R. Parncutt and M. Koegeler (Eds.), Proceedings of cAIR10, the first Conference on Applied Interculturality Research, Graz, Austria, 7-10 April 2010. **

Education

Music Education

22. Bisesi, E. & Francescato, E. (2012). Applicazioni didattiche della ricerca scientifica sull’esecuzione musicale. In C. Guetti (Ed.), A.A.V.V. La Musica in testa. Milano-Udine, Mimesis Edizioni. ISBN: 9788857509266 8857509265

Physics Education

23. Bisesi, E. & Michelini, M. (2010). Comparative teaching strategies in special relativity. In C. P. Constantinou and N. Papadouris (Eds.), Physics Curriculum Design, Development and Validation. Cyprus: Learning in Science Group. CD-ROM, ISBN: 978-9963-689-21-7 *

Dissemination

24. Bisesi, E. (2012). The Alien | L’alieno. In A. Bianco (Ed.), Otherness | Alterità (pp. 57-66). Roma: Aracne. ISBN 978-88-548-5210-5

OTHER PUBLICATIONS 

Music Analysis

25. Bisesi, E. (2017). Measuring and modelling perceived distance among collections in post-tonal music: Music theory meets music psychology. In Proceedings of EUROMAC9, Strasbourg, France, 28 Jun – 1 Jul 2017 **

Music Psychology

Psychology of Expressive Performance

26. Bisesi, E., & Toiviainen, P. (2017). The relationship between musical structure and emotion in classical piano scores: A pilot study on the Theme of La Folia. In E. Van Dyck (Ed.), Proceedings of ESCOM 2017, Ghent, Belgium, 31 Jul – 4 Aug 2017 (pp. 18-22). Ghent: IPEM **

27. Bisesi, E., Parncutt, R., Caron, S., & Traube, C. (2014). The immanent emotion of a musical score: An exploratory study. In M. K. Song (Ed.), Proceedings of the ICMPC13 – APSCOM-5, Seoul, South Korea, 4-8 August 2014 (pp. 124-126). Seoul, South Korea: College of Music, Yonsei University. **

28. Bodinger, M., Bisesi, E., & Parncutt, R. (2014). Listeners’ informal vocabulary for structure, expression, emotions and associations in piano music. In M. K. Song (Ed.), Proceedings of the ICMPC13 – APSCOM-5, Seoul, South Korea, 4-8 August 2014 (pp. 76-79). Seoul, South Korea: College of Music, Yonsei University. **

29. Eckl, F. J., Bisesi, E., Friberg, A., & Parncutt, R. (2014). A computational model of immanent accent salience in tonal music: Perceptual evaluation. In M. K. Song (Ed.), Proceedings of the ICMPC13 – APSCOM-5, Seoul, South Korea, 4-8 August 2014 (pp. 248-250). Seoul, South Korea: College of Music, Yonsei University. **

30. Bisesi, E., MacRitchie, J., & Parncutt, R. (2013). Structural communication in piano duos: Musical compatibility and individual differences in interpretation. In A. Williamon and W. Goebl (Eds), Proceedings of the International Symposium on Performance Science, Vienna, Austria, 28-31 August 2013 (pp. 263-268). Brussels, Belgium: European Association of Conservatoires (AEC). ISBN: 978-2-9601378-0-4 **

31. Parncutt, R., Bisesi, E., & Friberg, A. (2013). A preliminary computational model of immanent accent salience in tonal music. In R. Bresin (Ed.), Proceedings of Sound and Music Computing Conference SMAC – SMC 2013, Stockholm, Sweden, 30 July – 3 August 2013 (pp. 335-340). Stockholm: KTH. ISBN: 978-91-7501-831-7 **

32. Bisesi, E., Eckl, F. J., & Parncutt, R. (2013). What emotions and free associations characterize different musical styles? In G. Luck and O. Brabant (Eds.), Proceedings of the 3rd International Conference on Music and Emotion, Jyväskylä, Finland, 11-15 June 2013. Jyväskylä, Finland: University of Jyväskylä, Department of Music. ISBN 978-951-39-5250-1 **

33. Bisesi, E., MacRitchie, J., & Parncutt, R. (2012). Recorded interpretations of Chopin Preludes: Performer’s choice of score events for emphasis and emotional communication. In E. Cambouropoulos et al. (Ed.), Proceedings of ICMPC – ESCOM 2012, Thessaloniki, Greece, 23-28 July 2012 (pp. 106-107). ISBN: 978-960-99845-1-5 **

34. Bisesi, E., Friberg, A., & Parncutt, R. (2011). Director Musices (accent-based formulation). In Proceedings of Rencon 2011, Padova, 6 July 2011.

35. Bisesi, E., Parncutt, R., & Friberg, A. (2011). An accent-based approach to performance rendering: Music theory meets music psychology. In Proceedings of the International Symposium on Performance Science, Toronto, Canada, 24-27 August 2011 (pp. 27-32). ISBN 978-94-90306-02-1 **

36. Bisesi, E. & Parncutt, R. (2010). An accent-based approach to automatic rendering of piano performance. In W. Goebl (Ed.), Proceedings of the Second Vienna Talk on Music Acoustics, Vienna, 19-21 September 2010 (pp. 26-30). ISBN: 978-3-900914-07-3 **

Psychology of Musical Tempo

37. Bisesi, E. & Vicario, G. B. (2009). Psychoacoustical aspects of the speed of melody performance. In M. M. Marin, M. Knoche, and R. Parncutt (Eds.), Proceedings of the first International Conference of Students of Systematic Musicology (SysMus08), Graz, Austria, 14-15 November 2008 (pp. 7-11). CD-ROM, ISBN: 978-3-9502656-2-0, Internet ISBN: 978-3-9502656-3-7 **

Education

Music Education

38. Bisesi, E. & Michelini, M. (2010). Planning curricular proposals on sound and music with perspective secondary-school teachers. In C. Constantinou and N. Papadouris (Eds.), Proceedings of Physics Curriculum Design, Development and Validation – GIREP 2008 (CD). Cyprus: Learning in Science Group. ISBN: 9963689205, 9789963689200 **

Fundamental Physics

39. Bisesi, E. (2007). Indirect search of dark matter in the halos of galaxies. Role of substructures on the signals from dark matter annihilation and prospects for detection of single dark matter clumps with the MAGIC Telescope. PhD Thesis. Magic Publications.

40. Bisesi, E. (2002). Emissione gamma dalle pulsar. Stima del contributo al fondo gamma diffuso e possibili osservazioni con i telescopi spaziali AGILE e GLAST. MSc Thesis. In: Tesi di Laurea e di Dottorato INFN.

Conference proceedings in physics

41. Bisesi, E., Mariotti, M., & Scalzotto, V. (2006). Dark matter detection in gamma astroparticle experiments. In G. Sidharth, F. Honsell and A. De Angelis (Eds.), Proceedings of 6th International Symposium on Frontiers of Fundamental Physics (FFP6), Udine, Italy, 26-29 September 2004 (pp. 315-320). Springer, The Netherlands. **

42. Bisesi, E. (2006). Contribution of pulsars to the gamma-ray background and their observation with the space telescopes GLAST and AGILE. In G. Sidharth, F. Honsell and A. De Angelis (Eds.), Proceedings of 6th International Symposium on Frontiers of Fundamental Physics (FFP6), Udine, Italy, 26-29 September 2004 (pp. 321-326). Springer, The Netherlands. **

43. D. Bastieri et al. (18 authors including E. Bisesi) (2006). The MAGIC experiment and its first results. In G. Sidharth, F. Honsell and A. De Angelis (Eds.), Proceedings of 6th International Symposium on Frontiers of Fundamental Physics (FFP6), Udine, Italy, 26-29 September 2004 (pp. 291-296). Springer, The Netherlands. **

44. Bisesi, E. (2006). Populations of subhalos in Cold Dark Matter halos. In A. De Angelis and O. Mansutti (Eds.), Proceedings of the Third Workshop on Science with the New Generation of High Energy Gamma-Ray Experiments, Cividale del Friuli (Italy), 30 May – 1 June 2005 (pp. 125-134). World Scientific Publishing Co.Pte.Ltd. **

45. Bartko, H., Biland, A., Bisesi, E., Elsässer, D., Flix, J., Häfliger, P., Mariotti, M., Stark, S., & Wittek, W. (2005). Towards dark matter searches with the MAGIC telescope. In B. Sripathi Acharya, S. Gupta, P. Jagadeesan, A. Jain, S. Karthikeyan, S. Morris and S. Tonwar (Eds.), Proceedings to the 29th International Cosmic Ray Confererce (ICRC 2005), Pune, India, 3 – 10 August 2005 (Vol. 4, pp. 17-20). Mumbai: Tata Institute of Fundamental Research. **

46. Bartko, H., Biland, A., Bisesi, E., Commichau, S., Flix, P., Lorenz, E., Mariotti, M., Mirzoyan, R., Scalzotto, V., Stark, S., & Wittek, W. (2005). Search for gamma rays from the Galactic Center with the MAGIC telescope. In B. Sripathi Acharya, S. Gupta, P. Jagadeesan, A. Jain, S. Karthikeyan, S. Morris and S. Tonwar (Eds.), Proceedings to the 29th International Cosmic Ray Confererce (ICRC 2005), Pune, India, 3 – 10 August 2005 (Vol. 4, pp. 113-116). Mumbai: Tata Institute of Fundamental Research. **

47. J. Albert i Fort et al. (131 authors including E. Bisesi) (2005). The MAGIC project: Contributions to ICRC 2005, Pune, India, Part 1: Observations. 2005astro.ph..8244F.

48. J. Albert i Fort et al. (131 authors including E. Bisesi) (2005). The MAGIC project: Contributions to ICRC 2005, Pune, India, Part 2: Future plans and developments. 2005astro.ph..8273F.

49. J. Albert i Fort et al. (131 authors including E. Bisesi) (2005). The MAGIC project: Contributions to ICRC 2005, Pune, India, Part 3: MAGIC detector and analysis details. 2005astro.ph..8274F.

PUBLICATIONS IN PREPARATION

1. Friberg, A., Bisesi, E., Addessi, A.R., & Baroni, M. (submitted). Probing the underlying principles of perceived immanent accents using a modeling approach. *

2. Bisesi, E. & Caron, S. (accepted for publication in 2019). De quoi dépend-il la perception d’un tempo optimal dans la musique? Le rôle de la structure musicale. In Revue du Conservatoire Supérieur de Musique et de Danse de Paris. **

3. Bisesi, E., Caron, S., & Traube, C. (accepted for publication in 2019). Analyser l’interprétation : Une étude comparative des variations de tempo dans le premier prélude de l’Art de toucher le clavecin de François Couperin. In Actes des Journées d’Analyse Musicale 2016 « Analyse musicale et perception » . Dijon: Éditions Universitaires de Dijon. **

4. Letailleur, A., Bisesi, E., & Legrain, P. (under submission). Comme les stratégies mentales des musiciens pour l’identification des hauteurs de notes révèlent l’utilisation d’éléments de mémoire minimaux, pas nécessairement de nature auditive, conduisant à des représentations mentales validées. *

5. Bisesi, E. & Sargenti, S. (under submission). I preludi per pianoforte di Olivier Messiaen, tra rigore compositivo ed espressività. *

6. Bisesi, E & Toivianien, P. The relationship between immanent emotion and musical structure in classical piano scores: A case-study on the theme of La Folia.

7. Bisesi, E. Historical changes in the emotions and free associations evoked by piano music: Schubert, Wagner, Liszt, Schoenberg.

CONCERT REPERTOIRE (last 5 years) 

Compositions (piano solo and chamber music with piano) by: A. Scarlatti, Rameau, C. P. E. Bach, Couperin, Corelli, Mozart, Haydn, Schubert (piano and piano transcriptions), Chopin, Liszt, Wagner (piano and piano transcriptions), Schumann, Dvorak, Rachmaninov, Glinka, Balakirev, Prokofiev, Scriabine, Messiaen, Schoenberg, Webern, Bartók, Bolling, Catalani, Verdi, Bellini, Puccini.

CONTRIBUTIONS IN THE MEDIA (interviews)

− E. Litváková, Nijaký počítač nedokáže to, čo človek, hovorí talianska muzikologička – A computer cannot replace humans, says an Italian musicologist (SME Plus, 28.4.2017).

− O. Solon, Rencon: a ‘Turing Test for musical expression’ (Wired UK, 02.09.2013).

− R. Czepel, Eine Maschine kann den Künstler nicht ersetzen (Der Standard, 16.01.2013).

− L. Yadlapalli, Der Klang der Gefühle (Universum Magazine, 07.11.2012).

− V. Prinčič, Znanstvenica in pianistka na „begu“ v tujini – Erica Bisesi is a known name in the musical and scientific circles (Primorski Dnevnik, 21.1.2011).

− A. Pessotto, Erica Bisesi vince la sfida con Chopin (Il Piccolo, 24.12.2010).

Link to a more detailed version::

http://www.ericabisesi.com/deutsch/CV-PL_EricaBisesi-Updated.pdf